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Killing Nature
Hope, heartbreak, and raising kids who pay attention
Aug 26
•
Elaine McMillion Sheldon
6
In Conversation with Tomas Leach — Part I
On websites, collaboration, and trust
Aug 13
•
Elaine McMillion Sheldon
5
Mapping the Unknown
The Emotional Cartography of Creative Nonfiction
Aug 5
•
Elaine McMillion Sheldon
5
Starved for Wholeness
on storytelling beyond crisis, and why tension isn’t enough
Jul 22
•
Elaine McMillion Sheldon
13
8
For founding members
a thank you—and something just for you
Jul 15
•
Elaine McMillion Sheldon
1
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Discussions
A Working Philosophy for Your Documentary
When you're overwhelmed by options, start by writing the list of what your film is not.
Jul 14
•
Elaine McMillion Sheldon
10
Ghost-Work
On showing up, disappearing, and the ghost-work of documentary filmmaking
Jul 2
•
Elaine McMillion Sheldon
9
In Praise of Boredom
For anyone who needs a reason to log out for a while.
Jun 18
•
Elaine McMillion Sheldon
3
Place, Story, and the Machines We Built
On the Shifting Role of the Storyteller
Jun 7
•
Elaine McMillion Sheldon
16
7
What is a scene?
some scenes speak, some don't—but all say something
Jun 4
•
Elaine McMillion Sheldon
7
Why I Hate the Term B-Roll
and the hierarchy it implies
May 27
•
Elaine McMillion Sheldon
12
7
Loops, Disruptions
and the Strange Gift of Being Awake
May 20
•
Elaine McMillion Sheldon
2
1
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Recommendations
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Little Scraps of Filmmaking
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Sound Is Magic
Brian Harnetty
Gas Station Delicacies by S.G. Goodman
S.G. Goodman
The Ground at My Feet
Roger May
Between Frames
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