DIARY
Into the office, yet again. This time for a Dictionary meeting. It seems obvious that Manda Burrows will be the most efficient. That Robin (male) Farmer will be jokey and trivial. Ned is a Neanderthal, as I suspected.
Milena was doing her best to waste time although her brutal editing of Ned’s Beverages list – including ‘Fuzzy Navel1’, a kind of cocktail apparently, might have helped.
Picked up a copy of Robert’s Rules of Order For the Access Professional in LF. ‘Item 5. Avoid meetings and memos. Most meetings are a waste of time… Any meeting longer than 45 minutes begs for a merciful end. Nothing will be said that hasn’t already been said…’ But Item 12 reminds us, ‘Don’t let the bastards wear you down.’
It has been a hard week. It took a lot to get through the last two lessons on Thursday. Only next week left.
No letters. From Martin or Paddy or Mark.
NOTES
I have stopped taking real notice of Prague. One cannot maintain that level of attention for long enough. I always go back to Auden’s phrase ‘love is intensity of attention’2.
It might well be argued with The Prague Metro that with the Isherwood side of my method — self-quotation particularly — that I am being presumptuous. This would be a better novel, people could well say, if written twenty years from now. What is my reply? Only that I can’t wait twenty years doing nothing. And if I stop writing the Metro I have nothing to do. Also if it starts to appear bad enough to me I can always stop writing it. (Abandon is too dramatic a word.) Part of what is interesting about the novel is the lack of distance from the material. I think the narrative needs to be stronger in the first section to pull people through the theory. Perhaps excerpt the Literary autobiography, make them a separate first section and put the story, in short, in their place.
One of the simplest cocktails to make. Mix 3 ounces peach schnapps with 3 ounces orange juice, freshly squeezed. That’s it.
The correct quote is: ‘The first criterion of success in any human activity, the necessary preliminary, whether to scientific discovery or artistic vision, is intensity of attention, or, less pompously, love.’ Early Auden, Later Auden: A Critical Biography, Edward Mendelson, Princeton University Press, 2017, p 364.