This book is a remarkable tale of pulse-pounding excitement with a uniquely sympathetic, fascinating portrait of the werewolf as noble warrior-and conflicted being. Complex, compelling and utterly real.

In this most gothic of Robert McCammon's novels, setting is key: the continuing saga of the Usher family (descended from the brother of Roderick and Madeline of Edgar Poe's "Fall of the House of Usher") takes place in the weird and picturesque heart of the North Carolina mountains. The haughty, aristocratic Ushers live in a mansion near Asheville; the poor but crafty mountain folk (whose families are just as ancient) live on Briartop Mountain nearby. At harvest time, when the book's action unfolds, the mountains are a blaze of color. Add to the mixture a sinister history of mountain kids disappearing every year, a journalist investigating those disappearances, a monster called "The Pumpkin Man," moldy books and paintings in a huge old library at the Usher estate, and a secret chamber with a strange device involving a brass pendulum and tuning forks--and you've got a splendid recipe for atmospheric horror. Originally published: New York: Holt, Rinehart, and Winston, 1984.

Even God stays away from the village of BETHANY'S SIN. For Evan Reid, his wife Kay, and their small daughter Laurie, the beautiful house in the small village was too good a bargain to pass up. Bethany's Sin was a weird name, but the village was quaint and far from the noise and pollution of the city. But Bethany's Sin was too quiet. There were no sounds at all...almost as if the night had been frightened into silence. Evan began to notice that there were very few men in the village, and that most of them were crippled. And then there was the sound of galloping horses. Women on horses. Riding in the night. Soon he would learn their superhuman secret. And soon he would watch in terror as first his wife, then his daughter, entered their sinister cabal. An ancient evil rejoiced in Bethany's Sin. A horror that happened only at night...and only to men.

The Five tells the story of an eponymous rock band struggling to survive on the margins of the music business. As they move through the American Southwest on what might be their final tour together, the band members come to the attention of a damaged Iraq war veteran, and their lives are changed forever. The narrative that follows is a riveting account of violence, terror, and pursuit set against a credible, immensely detailed rock and roll backdrop. It is also a moving meditation on loyalty and friendship, on the nature and importance of families—those we are born into and those we create for ourselves—and on the redemptive power of the creative spirit. Written with wit, elegance, and passionate conviction, The Five lays claim to new imaginative territory, and reaffirms McCammon’s position as one of the finest, most unpredictable storytellers of our time.

From the living hell of her watery grave she rises again... THE NIGHT BOAT Deep under the calm water of a Caribbean lagoon, salvage diver David Moore discovers a sunken Nazi U-boat entombed in the sand. A mysterious relic from the last war. Slowly, the U-boat rises from the depths laden with a long-dead crew, cancerous with rot, mummified for eternity. Or so Moore thought. UNTIL HE HEARD THE DEEP HOLLOW BOOM OF SOMETHING HAMMERING WITH FEVERISH INTENSITY...SOMETHING DESPERATELY TRYING TO GET OUT! Beneath the waves she will seduce the living and devour the dead... THE NIGHT BOAT

"The Hunter from the Woods" marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's 1989 classic, "The Wolf's Hour." These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight. In between, McCammon gives us three stellar novellas depicting different phases of Michael's long, brutal war against Nazi Germany. "Sea Chase" is a nautical tale about the hazards of transporting a defecting German scientist to a place of sanctuary in England. "The Wolf and the Eagle" is the account of an unlikely friendship between rival "men of action" and a harrowing portrayal of a lethal forced march through the North African desert. ?The Room at the Bottom of the Stairs? tells of an impossible, ultimately tragic love affair set in the embattled city of Berlin during the latter stages of the war. Erotic, visceral, and filled with moments of desolating horror and unexpected warmth, The Hunter from the Woods is a triumph of imaginative storytelling. Like the best of McCammon's earlier work, it offers intelligent, world-class entertainment. In the process, it shines a welcome new light on one of the most uncommon heroes in contemporary fiction.

McCammon's novel "takes place during a single twenty-four hour period in Inferno, Texas. Inferno is a town in trouble, driven to the brink by racial tension, gang violence, and a collapsing economy. But things can always get worse, and they do so with astonishing speed when an unidentified spacecraft crash lands in the desert outside of town, followed by a second craft bearing the alien being who will soon be known as Stinger. Stinger is a kind of interstellar hunter on a mission he intends to complete, whatever the cost. He brings with him an endless array of technological marvels and an infinite capacity for destruction that threaten the existence of Inferno, its inhabitants, and the larger world beyond"--Dust jacket flap.

From the battlefields of a Vietnam veteran's memory to an old-time movie hero's search for a serial killer, from Halloween in a special town--where the rules of trick-or-treat are written in blood--to a Texas road where a wrong turn leads to a nest of evil, horror master McCammon is at his terrifying best in this collection of stories.

Businesses went under by the hundreds, debt and foreclosures boomed, and breadlines grew in many American cities. In the midst of this misery, some folks explored unscrupulous ways to make money. Angel-faced John Partlow and carnival huckster Ginger LaFrance are among the worst of this lot. Joining together they leave their small time confidence scams behind to attempt an elaborate kidnapping-for-ransom scheme in New Orleans. In a different part of town, Curtis Mayhew, a young black man who works as a redcap for the Union Railroad Station, has a reputation for mending quarrels and misunderstandings among his friends. What those friends don't know is that Curtis has a special talent for listening... and he can sometimes hear things that aren't spoken aloud. One day, Curtis Mayhew's special talent allows him to overhear a child's cry for help (THIS MAN IN THE CAR HE'S GOT A GUN), which draws him into the dangerous world of Partlow and LaFrance. This gritty depression-era crime thriller is a complex tale enriched by powerfully observed social commentary and hints of the supernatural, and it represents Robert McCammon writing at the very top of his game.

McCammon  does a superb job of dishing out the details piecemeal. Not for the weak stomached.

His epic masterwork "Speaks the Nightbird," a tour de force of witch hunt terror in a colonial town, was hailed by Sandra Brown as "deeply satisfying...told with matchless insight into the human soul." Now, Robert McCammon brings the hero of that spellbinding novel, Matthew Corbett, to eighteenth-century New York, where a killer wields a bloody and terrifying power over a bustling city carving out its identity -- and over Matthew's own uncertain destiny. The unsolved murder of a respected doctor has sent ripples of fear throughout a city teeming with life, noise, and commerce. Who snuffed out the good man's life with the slash of a blade on a midnight street? The local printmaster has labeled the fiend "the Masker," adding fuel to a volatile mystery...while young law clerk Matthew Corbett has other obsessions in mind. Earnest and hardworking, Matthew spends his precious spare time attempting to vindicate the abuses he witnessed growing up in the Sainted John Home for Boys, at the hands of its monstrous headmaster. But Matthew's true calling lies not in avenging the past but salvaging the future -- for when the Masker claims a new victim, Matthew Saulis lured into a maze of forensic clues and heart-pounding investigation that will both test his natural penchant for detection and inflame his hunger for justice. In the strangest twist of all, the key to unmasking the Masker may await in an asylum where the Queen of Bedlam reigns -- and only a man of Matthew's reason and empathy can unlock her secrets. From the seaport to Wall Street, from society mansions to gutters glimmering with blood spilled by a deviant, Matthew's quest will tauntingly reveal the answers he seeks -- and the chilling truths he cannot escape.

After a decade, New York Times bestselling author Robert McCammon returns with an epic novel of suspense that reinstates him as one of the great storytellers of our time....The Carolinas, 1699: The citizens of Fount Royal believe their town is cursed by a witch. What else could explain the sudden fires, crop failures and gruesome murders? Convinced that Rachel Howarth, the beautiful widow of the recently slain minister, is to blame, they throw her into a gaol to await trial and execution.Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew -- who, despite the evidence against Rachel, believes in her innocence. But soon he realizes that there truly is Evil at work in Fount Royal: a malevolent force more powerful than any witch could ever hope to conjure....

Murder and ghoulish mayhem are the order of the day in bestseller McCammon's colorful third thriller featuring “problem-solver” Matthew Corbett and his escapades in early 18th-century America. After confronting a criminal mastermind in The Queen of Bedlam (2007), Matthew finds himself a celebrity whose exploits have become sensational fodder for colonial tabloids. This heady attention contributes to a bad lapse of judgment when he and his senior associate, Hudson Greathouse, accidentally allow a brutal murderer, Tyranthus Slaughter, to give them the slip while they transport him to prison in Philadelphia. The rousing narrative details Matthew's dogged pursuit of the indestructible Tyranthus as the killer cuts a bloody swath through the Pennsylvania wilderness. McCammon shows a sure hand balancing scenes of Matthew's quiet contemplation with the cold-blooded carnage that makes his quarry's name so appropriate. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.